Finally! Going to wear this to tonight's Seam Allowance meeting. Thoughts off the top of my head:
1. Neckline - do a different one from the Craftsy course or elsewhere
2. Vented sleeves...needed to hem at the top of the vent - hemmed too close to the sleeve edge. The bar tack is sloppy - not even on both sides and is ultimately too long. Used Swedish tracking paper under the bar tacks for reinforcement. Need to study how to figure our bar tack placement.
3. Top stitching around the armholes is a tad inconsistent and wonky.
4. Underarm doesn't meet perfectly on one side (but it's in the armpit, so who will know?)
5. When I was sewing this up - I noticed that my cutting of the fabric was CHOPPY! Ugh! Need to go back to the pattern and ensure that the seams match up - and smooth this out on the next version.
6. LOVE the length!
7. Pattern fits me quite well and love the vented sleeve detail, even if the execution leaves something to be desired.
I'm holding up bits of fabric that I trimmed from the shirt. Could still use a few passes on the inside, but wanted to eat some lunch and get on the road.
I will update this post with linkage and details on the pattern later.
Thoughts while I worked on muslin #1:
1. The fabric is plasticky and see through - this is not a wearable muslin, why am I still reluctant to write on it?
2. Must find better way of sewing knits. Tested straight stitch and pulled seams. They all popped. Switched to zig zag, but was too big, so could see "teeth" in the seams.
3. Stick to using the walking foot. Use the more narrow twin needle (must find the sizes). The wider twin needle created a huge tunnel between the stitches.
4. Neckline - while I did an impressive* job of stitching and easing, it was too tight for the design, so in the end, both fronts are pulling the side seams in. I examined a garment that is similar and the neckline is not a separate piece, it's just folded over and stitched down with presumably an elastic tape inside.
1. Will use a 1" seam on the neckline, folded over at 1/2" with elastic tape inside.
2. Front panel must be hemmed before sewing side seams.
3. Finish watching The Ultimate T-Shirt: Fitting & Construction on Craftsy and put the tips and tricks to use. Just watching how the knit fabric can be fed through the sewing machine with minimal use of pins has already helped enormously. Considering that the Ottobre pattern directions are minimalist, it's really good to bone up on how to construct a knit t-shirt. Even though this garment is a wrap front, 90% of the sewing tips and instructions still apply. I got my class on sale and it came with a pattern, Vogue 8793, which I have yet to take out of the envelope.
4. Will baste the side seams before final sewing. Very important when trying to get the wrap tight enough to cross over without gaping, but not so tight that it pulls the sides in.
5. I started cutting muslin #2 on Sunday, 7/28, but after I cut the back, I realized that I already didn't follow my own modified directions - that is, to include a 1" seam allowance on the neckline. Hope that there's enough fabric to cut a sleeve from the back. Also realized that my rotary cutting technique could use some improvement, so off to search for tips. Must also change the blade on the cutter. Don't know how long the blade has been on there, and technically haven't cut much with it, but think it might be a bit dull.
6. Before sewing, need to do another clean out of the sewing machine. While sewing muslin #1, the machine coughed up a greasy lint hairball which was subsequently sewn down into the sleeve seam. I have no idea where it came from, as I had recently cleaned (as far as I know) everything out. Very strange. Thank god the muslin wasn't anything I had hoped to wear. Will also see if I can clean the grease spot, for science. Just in case it happens when I'm sewing my good fabric.
7. Hemming of sleeves and bottom - not until side seams are sewn up. Follow the tips in the class re: pressing the hems while still flat.
Thoughts on muslins in general: apparently Kenneth King states that you should sew at least two muslins before proceding to cut the fashion fabric. Reluctantly, I concede that this makes perfect sense. If you want something truly wearable, you must put in the time and effort to do it right. Think about it - you pull a pattern from the envelope, and regardless of how close it may be to your measurements, more likely than not, it wasn't custom drafted for you. You'll need to make fitting alterations and perhaps even figure out how best to sew it - thus muslin #1. But, after figuring out what to keep and what to change, including order of construction, you should test the next round on muslin #2. You don't know what the outcome of the changes from muslin #1 are going to give you. Only after sewing a successful, i.e. potentially wearable muslin #2, can you proceed with confidence to the final garment. Thank god I really am a process sewer (knitter) or I would have already torn out every last strand of my short hair in frustration!
*I don't normally brag about my sewing...but considering I only watched the Ultimate T-Shirt video and had never sewn a neckline, and that this is my fifth garment (including muslins), the neckline looks awesome.
I came across this ad online in the last year (and if you're
the one who posted it, please let me know so I can give you credit!). Since it
can be hard to read depending on your monitor and eyesight, I will take the
liberty of retyping the ad before I comment...
Text from the ad:
Just sit, set and let VIKING sew!
the world's most completely jam proof
automatic sewing machines
Viking the world's most completely automatic sewing machine,
is also the easiest to use! Made of fine Swedish Steel by the craftsmen of
Sweden's celebrated Husqvarna, where superior engineering has been a tradition
for over 250 years! VIKING is a real automatic!
Just sit, set and let VIKING sew with an ease you've never
See it today!
Try it today!
VIKING automatic features you'll love...
JAM-PROOF HOOK makes it absolutely impossible for the thread to
tangle or jam with or without fabric in the machine.
MAGI-STAC permits you to change stitches with a flick of the fingers without
stopping the machine!
SPEED REDUCER for s-l-o-w sewing when working on intricate patterns.
features never before offered in any one machine!
I LOVE a good ad! Even better I love to dissect the messages long after the target audience is no longer around. This ad is so good, that 57 years later, I still fall for it. Granted, I didn't see the ad until AFTER I found my Viking 21A, but boy, this ad makes me want to use my vintage machine more than any other I own. First off, according to the copy, my machine will sew by itself - no need for me to do anything other than watch it (like a TV?). One thing that still holds true to this day is the lure of the JAM-PROOF HOOK! That's actually what drove me into the arms of a vintage machine. I wasn't sewing on my Brother because of bobbin nesting. I spent more time angry and frustrated and troubleshooting rather than sewing. The JAM-PROOF HOOK promised salvation, and it has delivered, I'm happy to report :) The copy for the MAGI-STAC is hilarious. The "magi-stac" is now commonly referred to as a pattern cam, and I most certainly would not "change stitches with the flick of a finger" while the machine was going. (Mostly out of fear that I'll break an internal part that is NLA - no longer available.) The "exclusive SPEED REDUCER" is nice, but I rarely use it as I prefer to control sewing speed with the remarkably still responsive original controller. Note that "Swedish Steel" is capitalized...it's not just any steel. I'm not sure what the "20 more features" could be...hmmm...it's green (no - the Elna Grasshopper is green, and I suppose color is not considered a feature). Free-arm must be one...detachable sewing table...as for the rest? Being of Swedish descent and a huge Abba fan, Viking is my brand.
I will admit to cheating on my Viking 21A...with another Viking (a pair of them) - the Viking #1. Because of course, being #1 means it has to be even better than 21, right? ;)
It's no secret that I'm slow. I've come to accept it (must be why I
loved driving fast on the Autobahn). When it comes to sewing (and
knitting, cross stitching, embroidery and crochet...) I am deliberate
and fairly methodical. "Fairly" because in many other areas of life,
developing a methodical approach has not come naturally. When I sew, I
like to think of the act of sewing as an organic chemistry experiment.
So, in that spirit, I am tackling the hem on my wrap skirt.
on the skirt: I "finished" it - that is, everything is sewn together
and there is the beginning of a hem. I even wore it to last night's Seam Allowance
meeting. Yet, the waistband ties need a touch of resewing to neaten up
the seam on the edge and the hem is not yet done. I think I will add a hook and bar closure
to secure the waist, as the ties can worm themselves undone. I had to
admit that the piece I wanted to be the back (that is, the original
front), insisted on being the front, so I am wrapping the skirt to the back
and tying it almost in the middle on the front. To really turn the skirt
around, the waistband pieces for the ties would need to be lengthened
before cutting so you can tie on the side. I folded under the hem and
pressed at 1/4" with the Dritz Ezy Hem. It took a while to neatly and
evenly press the hem (30 minutes?). I was aiming for the 1/8" edge
stitching recommended by Doris Anderson in Lesson 7 of "Simplified Systems of Sewing." I stitched the hem at 1/8", but was working with the 1/4", which I will trim down before the final hemming.
leads me to...the final hem. I actually like the current length, but
originally had intended on a hem of 1.5 inches or so. Also, the current
hem provides no heft, but I think if I want to leave it at this length, a
woven ribbon or hem tape secured by hand stitching over the raw edge could help with that. So, I am now researching hemming techniques.
I can't resist the promise of Ottobre magazine. I have all but three (?) issues and am convinced that the garments are flattering and must be easy to sew. So I started tracing the wrap blouse from the Fall 2008 magazine, model #17, at yesterday's Seam Allowance studio time. I finished the tracing today and started cutting the fabric for a muslin. I've had the fabric for about five years, purchased from FabricMart for practically nothing. Well, this was before I started carefully bagging each piece of fabric and this one has tiny marks that look like ink spots. Fortunately, the yardage is sufficient and I can simply cut around the spots. This is the fabric in question...it's quite slippery and when cut, sheds tiny fibers everywhere. I figure if I can sew a muslin from this, then the final garment will be a breeze.
Rather than making a second muslin or ripping and reassembling the
first, I decided based on where the side seams fall, to eliminate 1" from
the front panel (which I will deliberately use as the back) - thus 1/2"
from each side and I lengthened the skirt by 1 3/4". I made these
modifications to the tissue pattern and gasp! cut the fabric on 6/29, in
my last class of the latest five class run at SM&D. No turning
back now... At first I thought I would attempt to match the pattern at the seams, but come on, this is such a minor concern with a huge pattern and since this will officially be my first wearable garment, I just threw caution to the wind. As I was packing up the pieces I so carefully cut out, I was dismayed to see that I now have a large target on my butt (center of the back panel). Just what I had hoped to avoid. Thank god it's not on my crotch...I can just hear Michael Kors now! Fabric is Kaffe Fassett Targets - Pastel - still available here. (I bought this four or even five years ago.)
Finally liberated the patterns from this book, the Sew Everything Workshop by Diana Rupp, that I bought about five years ago...decided I would make the wrap skirt and the muslin is well under way this weekend, yet I am supremely annoyed at the directions for the waistband. Let's just say that they are sketchy at best and the tiny diagrams that accompany the text are fairly worthless.
As I am still puzzling my way through the instructions, I'm not yet ready to post my solution, so watch this space!
ETA: It dawned on me that despite reading the directions several times...in my mind, the single panel (front) was the BACK, because, who wraps a skirt to the back?? Even though the book says you can mix it up by wearing it wrapped to the front or back, I would never wear a wrap skirt with the wrapped panels covering the rear view. Subsequently, when I sewed on the waistband, I'm pretty sure I attached it upside down, which would explain why it was virtually impossible to cleanly match the side seams of the skirt panels with the side seams of the waistband.